Seed Celestial

Winner of the 2021 Autumn House Press Poetry Prize

 

In this compelling debut collection, Sara R. Burnett writes hauntingly about origins — origins of myth & memory, language & country, earth & mothers — and an uncertain future. Weaving contemporary events like climate change, gun violence, and immigration with the personal context of raising a young daughter, her book is accessible, formally dexterous, and moving. Through her origin story as a Cuban immigrant’s daughter, her entry into motherhood, and the series she writes of Demeter and Persephone, she shows readers that to wonder and doubt, fear and and love where we are from and where we are going are enduring human traits.

 

“Sara R. Burnett’s Seed Celestial is a quietly upending work. A book that’s often about maternity also includes the creation of the mother by the child. She’s comfortable with profundity, even conversational with it. “I remembered / I had all eternity, / an empty glass to fill.” So the work is plain and beautiful and then surprising. She upends sentence structure to express family: “Abuelo, there are moments when you’re in my head, / in evenings sometimes, my whole head, yours.” Her rhymes work like spice in cooking, understated here but always bringing it out, it being the varied rough texture of life. By the time she drops the term ‘endling’ (“when a species is the last of its kind”) I think that she might be an endling herself in that she’s taking this time with existence, inhabiting it as she does in her poems, as this is all there is. For Sara R. Burnett, poems are like a staff upon which lives are stretched and dangled - lovingly & smart. It simply happens here. But to get that we must listen.”

— Eileen Myles, Evolution

“Demeter, earth goddess and mother of Persephone, is the abiding presence of Seed Celestial, Sara R. Burnett’s quietly fierce, urgent, but also passionately affirmative exploration of the perilous joys of being both mother and daughter in the twenty-first century. Burnett’s clear-eyed and lyrical invocation of mothering as well as her poignant relationship with her Abuela, a Cuban exile, are deeply felt and lived.”

— Michael Collier, The Missing Mountain

“Sara R. Burnett's debut full-length asks all the right questions: "Who will she be when she's grown?/ Do I have time to shower?" What's it like to be a Demeter after the compromised end of Persephone's story? How can we keep on taking care of one another as the sky falls, water rises, extinctions close in on our world with its various blues? "Mostly it's that I can't fly," the poet muses, but there's still so much that she can do: drawing on Anglo and on Cuban heritage, on mid-Atlantic and tropical flora and fauna, the poet finds a Lucretian feminism alert to change, disarmingly various, supple in its rhythms, able to listen and to respond. "And the key? Didn't I have it once?" Fans of Kasischke, of Meitner, and of tenderness take note: this poet is playing your song.”

— Stephanie Burt, Don’t Read Poetry

 

MOTHER TONGUE

Chapbook, Dancing Girl Press, 2018 (Out of print)

You can read about the creative process and poems featured in Mother Tongue in this interview:

SARA BURNETT ON WHY WRITE POETRY, THE PLAY AND CRAFT OF CREATION, AND MOTHERHOOD